Description
"The darkness of evening creates a sense of atmosphere in paintings such as Kring aftonlampan (Around the Lamp, 1900) and God natt (Good Night, 1894), in which the family dinner table and the ritual of going to bed have become artistic motifs. Domesticity was combined with the artistic life throughout both day and night and everyone who spent time in the home was depicted: guests, family members and the artist’s models."
Text: Patrik Steorn
Bibliography
Thielska Galleriet. Utkast till katalog över måleri, skulptur, grafik / Draft for catalogue over painting, sculpture, prints, 1929
Harry Runnqvist, Katalog Thielska Galleriet , 1929
Christopher Reed, Not at Home : The Suppression of Domesticity in Modern Art and Architecture, London, Thames & Hudson, 1996
Katarina Wadstein MacLeod, The Painted Home as Heritage : Fanny Brate and the Home at the Turn of the Nineteenth Century, Stockholm, Ingår i: Konsthistorisk tidskrift, 2016